This is my first entry in the Great American Novel Challenge, as created by Aaron Massey.  I discussed this earlier, here.

The Last of the Mohicans (TLOTM) is James Fenimore Cooper’s classic (7-times put on film!) tale of the early frontier, white-Native American relations, and the last great war between Great Britain and France on this continent.  It is, more specifically, a fictionalized account of the Battle of Fort William Henry and the Indian “massacre” which happened after the fort was surrendered.  It tells the story of a British General’s two daughters, a well-meaning but haughty British captain, a white-gone-native-mountain-man guide, and his two Indian friends (they of the title) and their efforts to escape capture by the French and their Huron allies.

I’ll go straight to the significance in culture and literature, starting with the least important and building up.  First, it perpetuates that great pre-World War II myth of the French as sneaky, clever, perhaps a little devious, but always honorable and respectable in war.  The Marquis de Montcalm is presented as a chivalrous and honorable character, even as he fights in this decidedly un-European savage wilderness and attempts to reign in his barbarous Huron allies on the even of the massacre.  A few years later, in 1759, both the Marquis and General Wolfe would die together on the Plains of Abraham, thus securing one of the classic images in history of “romantic war” and creating North American legend.  This book perpetuates that legend, and in 1826 would have been much more recognizable to readers.

Second, this book is first and foremost an adventure novel.  It is a story of outdoor prowess, skill with a weapon, and the ability to survive against all odds.  There is revenge.  There are Indians.  There are ladies in distress.  In other words, it is Western in the truly American sense even if it doesn’t take place west of the Mississippi.  Of course, American Westerns are just knight-errant tales translated into a new geography, so it’s not American in its origin, although an argument could probably be made for Cooper bringing the European knight tale into an American idiom.

(This is as good a place as any for my note to all those who have seen the Daniel Day-Lewis movie version.  The novel makes no effort at all to connect the feelings and treatment of the local New York militia and the upcoming Revolution.  While there was some tension nobody was thinking Independence in 1757.  In addition, the novel does not interject some tacked-on fake love triangle between one the the daughters, the Captain, and Hawkeye.  Utter nonsense.)

Third, the novel introduces for the first time (to my knowledge) the white-native / mountain man character in the person of Nathaniel “Hawkeye” Bumppo.  After losing his parents to an Indian raid, Bumppo is raised by a local tribe of Mohicans and becomes the classic man stuck between two worlds.  He can negotiate calmly with a British General, yet never truly be trusted by that General.  At the same time, he can track a deer as well as any Iroquois, yet there are still things that are a mystery to him in the forest.  He repeatedly says throughout the book at he is “a man without a cross.”  He is not of Christendom, yet he has no Indian ancestors to ask for assistance.  He is “a son of a trackless forest.”  This theme is as American as it gets.  Be it culture, religion, race, or any other separator, the American protagonist almost always doesn’t belong and knows it.

Fourth, and most important in my mind (although my third point is arguably equally critical), TLOTM fixes the Native American character firmly in place for over a century.  The three main Native characters in the novel (Chingachgook, Magua, and Uncas) all exhibit similar characteristics: they are contemplative and quiet.  They are one with nature.  When they do speak, it is in round-a-bout and vaguely poetic sentences that refer to ancestors and great gods in the sky.  They are capable of great kindness, but when wronged become little more than animals that cannot be controlled by the logic and dignity of Western civilization (see Montcalm).  They only desire freedom from the white man, yet can be easily manipulated with promises of scalps, trinkets, or alcohol.  They are the spirit of the land, yet stand in the way of the agricultural dreams of Western moving colonists.  They try to play the British and French off of one another, yet never seem to win.  TLOTM in 1826 or a John Wayne movie, its pretty much all the same stereotypes.  I’m not a deep enough student of American literature to say we have Cooper to blame for all of it, but he seem pretty seminal to me.

Overall, I really enjoyed TLOTM.  The writing is a bit flowery and antiquated for my normal taste, but the action, history, and fundamental connection to American style kept me interested.  I may move on and read (outside of the Challenge) the other Leatherstocking Tales, which continue the adventure of Hawkeye as he moves farther west.

  • Then NPR host Guy Raz asked Krugman to comment on bill cosponsor Rep. Henry Waxman’s claim that his bill would create jobs. Krugman said:

    "There will be more wind farms built. There will be people retrofitting power plants to reduce their emissions. There will be people weatherproofing housing and commercial buildings.”

    What economists would say is that economists is that employment would be just about the same as it would have been otherwise, but it will be a different mix of jobs."

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